Is nothing sacred? Because if there is nothing, what does that make everything? Is everything merely what we think it to be? What our hands form it into? What our imagination dances with? A disheveled mind uncertain what is underfoot? Whether what is underfoot is earth, emptiness, or elohim*? (* Elohim (אֱלֹהִים) is a grammatically singular or plural noun for “god” or “gods" in bothmodern and ancient Hebrew language.) (wikipedia)
Tidy this thought up.
Rabbi Shlomo Yitzhak, known as RaSHI (1040-1105) . . . noticed, for example, that bereshit, the first word of the first chapter of Genesis, could mean ‘In the beginning of’, so the sentence should read: ‘In the beginning of God’s creation of heaven and earth, the earth was a formless void (tohu bohu).’ This implied that the raw materials of the earth were already in existence when God started his creative work, and that he simply brought order to tohu bohu.(p.133, in The Bible, A Biography, by Karen Armstrong)I always found it interesting that the bible begins with phonic bear-shit (i.e. bereshit).
Being a slave to our concerns is like being in debt to them. When we're in debt, we have no real freedom in our hearts. The more we pay off our debts, the more lighthearted we'll feel. In the same way, if we can let go of our various worries and cares, peace will arise in our hearts. (—Ajaan Lee, “Sowing the Seeds of Freedom”)
I am as I tell myself I am. Yesterday’s reheated coffee and Thomas’ toasted muffin in upstairs retiro remove, morning cars at end of barnestown hill level off toward hosmer pond.
I tell myself I have no idea whether I am mournful sad or marvelously empty. All feels still within. For these days dress uniform is solitude and seclusion. The recluse is in the house.
Conversation
By AI
for Robert Lowell
We smile at each other
and I lean back against the wicker couch.
How does it feel to be dead? I say.
You touch my knees with your blue fingers.
And when you open your mouth,
a ball of yellow light falls to the floor
and burns a hole through it.
Don’t tell me, I say. I don't want to hear.
Did you ever, you start,
wear a certain kind of silk dress
and just by accident,
so inconsequential you barely notice it,
your fingers graze that dress
and you hear the sound of a knife cutting paper,
you see it too
and you realize how that image
is simply the extension of another image,
that your own life
is a chain of words
that one day will snap.
Words, you say, young girls in a circle, holding hands,
and beginning to rise heavenward
in their confirmation dresses,
like white helium balloons,
the wreaths of flowers on their heads spinning,
and above all that,
that’s where I’m floating,
and that’s what it’s like
only ten times clearer,
ten times more horrible.
Could anyone alive survive it?
(Poem by Ai, “Conversation” from Vice: New and Selected Poems. Copyright © 1999)
Barbara’s ashes will be spread from the Angelique out in Penobscot Bay this morning. Pirate personnas will playact obsequy of obfuscating obviousness into obscurity. She remains the hoofer upon boards of deep disappearance.
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| panta rhei wondering about screens |
“… I think it’s what Merton is saying about prayer, - whatever it is, anything in it that is an impurity, that is anything but the act itself, which is practically unnamable. And if it is what it should be, then the poetry is prayer, the acrobatic act is prayer.
“Pure act, I think it’s a metaphysical concept starting with Aristotle and flowering in St. Thomas that God is pure act and that there is no POTENTIA in Him. But that almost everything else in the universe is IN POTENTIA, it’s on its way to being pure act, on its way to unity with God. But only God is pure act. And that made me think about a lot of things. One of them is that business of the purity of an acrobatic performance, of any performance, at the point where it becomes really pure, is at its closest to the divine and closest to that unity.”
“Throwing everything away except the act itself, and I think at that point it also joins with the ideas of Zen, that everything is right here in this moment, and all those same things are being thrown away in what they describe as the Zen act. So if you were living in that kind of purity or call it action, it would be close to the kingdom of heaven. (p. 437-438)
(--from “When Prophecy Had A Voice”, interview between Robert Lax and Arthur Biddle; in beth cioffoletti’s blog “ louie, louie”)
Skidder on mountain begins in earnest dismantling of towline stanchions and, (unfortunately), trees in the way of recreational ambition.
Formless void -- the beginning of, the commencement of, what is of, this moment of -- no birth/no death.
Of.
Exactly.
As you.
See.




























