Hummingbird, on rounds, pauses out back kitchen window, buttercup to buttercup. It gladdens this house.
There are flaws and cracks in my house. Some pains are felt in joining places, distress in bearing loads. Unpainted wood swells and softens. My soul carries tired sighs to landfill which never is filled, never closed.
Our Real Home
Anyone can build a house of wood and bricks, but the Buddha taught that that sort of home is not our real home, it's only nominally ours. It's a home in the world and it follows the ways of the world. Our real home is inner peace. An external material home may well be pretty but it is not very peaceful. There's this worry and then that, this anxiety and then that. So we say it's not our real home, it's external to us, sooner or later we'll have to give it up. It's not a place we can live in permanently because it doesn't truly belong to us, it's part of the world. Our body is the same, we take it to be self, to be "me" and "mine," but in fact it's not really so at all, it's another worldly home.
--Ajahn Chah
Presence is sometimes symbol. Someone shows up, less to be there, more to call to mind that a greater Presence dwells in the middle of us. However unattended, ignored, or passingly acknowledged -- this Presence is there -- the silent and unspeakable wholeness pre-utterance each of us seeks to hear, see, or feel.
Each, we hold, as if with imaginative hands of gossamer faith, is real. Yet, each is also symbol of incomprehensible connectivity -- the whole as refracted in particulars of undivided affirmation.
I am you. You are me. Neighbor is oneself. God is not-other. Light is shining through one and all.
A symbol is the place where and the means by which we can apprehend realities which the concept fragments in its attempt to reproduce them exactly. It is also apt to indicate the transcendence of revealed spiritual realities.
(--p.4, The Word And The Spirit, by Yves Congar, c.1984)
Summer has a way of of tiring. Long hours at shop. Surfeit of words. Too many cookies. Cesco's slow weakening.
Still, in all, the beauty.
Yahweh, I love the beauty of your house, and the place where your glory dwells.
(--Ps 26:6, Jer)
Sitting at conversation table in protective custody unit with "Riding With Bobbie" in Ode Magazine. We talk about breaking patterns, going beyond words, contact and letting go.
Sitting with Buddhist Group in prison activities building, a zazen with low background chant "Amita," then talking about Lozoff's visit, about the onus on us to cultivate compassionate listening when some inmate or religious fellow intends to convince you you're not a "true believer", at least not according to their lock box sanctity you'll never fathom or even want to.
Sitting with regular Meetingbrook Conversation group with four men, two of whom could not safely or comfortably sit in the same room over the years, with another man returning after some three years staying away (who wants to study Kierkegaard and Sartre), and the fourth who brings the questions to us of whether forgetting slave history renders us amnesiac or transcending.
Take Care
"When a man dies, it's not only of his disease;
he dies of his whole life." -Charles PĆ©guy
Our neighbor Laura Foley used to love
to tell us, every spring when we returned
from work in richer provinces, the season's
roster of disease, bereavement, loss. And all
her stars were ill, and all her ailments worth
detailing. We were young, and getting up
into the world; we feigned a gracious
interest when she spoke, but did
a wicked slew of imitations, out
of earshot. Finally her bitterness drove off
even such listeners as we, and one by one the winters nailed
more cold into her house, until the decade crippled her,
and she was dead. Her presence had been
tiresome, cheerless, negative, and there was little
range or generosity in anything she said. But now that I
have lost my certainty, and spent my spirit in a waste
of one romance, I think enumerations have their place,
descriptive of what keeps on
keeping on. For dying's nothing
simple, single. And the records of the odd
demises (stone inside an organ, obstacles to brook,
a pump that stops, some cells that won't,
the fevers making mockeries of lust)
are signatures of lively
interest: they presuppose
the life to lose. And if the love of life's
an art, and art is difficult, then we
were less than laymen at it (easy come
is all the layman knows). I mean that maybe
Laura Foley loved life more, who kept
so keen an eye on how it goes.
(--Poem: "Take Care" by Heather McHugh, from Hinge & Sign I Prefer, Wesleyan University Press.)
We've a Foley in our shop. It's all shit and going to shit is his take. Some days he gets a more favorable hearing than others.
There's also a Laura that gathers at the shop -- several times a week. "Laura," the Greek word meaning "trails" or footpaths meandering from distinct hermitages to a central gathering place -- for nourishment, conversation, spiritual support based on listening and being heard. It is a matter of taking care.
What is at issue is the mystery of the uncreated one who is 'Light beyond all light'. How should we speak of this? Silentium tibi laus, 'Silence is thy praise'. All we can do is worship.
(--p.2, Congar)
Light beyond light, for me, today, means there is a source of light that is whole within itself. Our particular light (or lights) are not as itself-sufficient (or self-sufficient). We beg and borrow, (even steal), the light of others to assist us with our own light. But like the vigil tea light candles placed in cabin sanctuary or before Buddha, Francis, Dogen, cross, or icon -- these exhaust themselves, flicker down, and extinguish. But fire itself! Fire itself seems everywhere at once, and at the same time, invisibly present without display.
I'll send Charlie the Kierkegaard I've been reading about in Karl Stern's
Flight From Woman. A course in Existentialist thought might arise from their interest.
It doesn't matter. It's only life.
Still, I love the beauty of it.
And what's wrong?
That too.
Needs.
Light.
And.
Care.