Her words rang true: "...where he is is really immaterial."
Mary Ewert said this soon after her husband Craig Ewert's 2006 physician-assisted suicide in Switzerland. The film made by John Zaritsky, The Suicide Tourist chronicled their journey together in the final days of his life. He'd been diagnosed with ALS, a motor neuron disorder, and preferred to die while he still had the capacity to actively take his life before his disease further ravaged his body, and he loses the option to die without what he felt might be unbearable suffering.
http://www.pbs.org/wgbh/pages/frontline/suicidetourist/view/?utm_campaign=viewpage&utm_medium=grid&utm_source=grid
He's there. He drinks the potion. He's gone. Anyone who's been at someone's death knows the experience.
The body is no longer his home. We have no particular idea where Craig, as he was known, has gone. Just that he's no longer there in an observable, sensible, communicable way. Some would say his soul took flight. Whether or where that flight alights is beyond the ability of those remaining behind to experience or know...for the time being.
You stop to point at the moon in the sky,At first light, 4am, I'm reading the book Rosy left, The Simple Faith of Mister Rogers, by Amy Hollingsworth. At 5am I'm on my cushion in the zendo, the Phoebes arriving and departing in quick succession outside and over the window. Coffee and cereal with silence and solitude moved the morning through deluge with thunder and lightning. Now I sit in Merton Bookshed/Retreat as across Barnestown Road the sounds and balloons of a celebration fill the air while Gregorian Chant plays downstairs. In the interim I nap, mail book to Maine State Prison, and bail dinghy in Rockport Harbor.
but the finger's blind unless the moon is shining.
One moon, one careless finger pointing --
are these two things or one?
The question is a pointer guiding
a novice from ignorance thick as fog.
Look deeper. The mystery calls and calls:
No moon, no finger -- nothing there at all.
(--Poem by Ryokan, 1758 - 1831)
I retreat. Sunlight glistening green leaves.
What do you think of death? I don't know what to think.
I know what Lydia thinks - she reads us Milne in our Friday poetry group:
What do you think of death? I don't know what to think.
I know what Lydia thinks - she reads us Milne in our Friday poetry group:
THE ENDSoon double six with peanut butter and mountain walking sticks. Lapping water under gunnel edge; buoyancy uplifts!
When I was One,
I had just begun.
When I was Two,
I was nearly new.
When I was Three,
I was hardly Me.
When I was Four,
I was not much more.
When I was Five,
I was just alive.
But now I am Six, I'm as clever as clever.
So I think I'll be six now for ever and ever.
(Poem by A.A. Milne)
So we go along one day at a time. One hour. One minute. One second. We go along as if there is no end. Who knows? Maybe we go along because there is an end.
One day.
COME OUT WITH MECraig ran along.
There's sun on the river and sun on the hill . . .
You can hear the sea if you stand quite still!
There's eight new puppies at Roundabout Farm-
And I saw an old sailor with only one arm!
But everyone says, "Run along!"
(Run along, run along!)
All of them say, "Run along! I'm busy as can be."
Every one says, "Run along,
There's a little darling!"
If I'm a little darling, why don't they run with me?
There's wind on the river and wind on the hill . . .
There's a dark dead water-wheel under the mill!
I saw a fly which had just been drowned-
And I know where a rabbit goes into the ground!
But everyone says, "Run along!"
(Run along, run along!)
All of them say, "Yes, dear," and never notice me.
Every one says, "Run along,
There's a little darling!"
If I'm a little darling, why won't they come and see?
(Poem by Alan Alexander Milne)
One day.
We'll come.
To see.
To see.
For now, it's immaterial.