Ending of The View from the Bridge, A Play in Two Acts, 1955, by Arthur Miller:
Alfieri, who is in the crowd, turns out to the audience. The lights have
gone down, leaving him in a glow, while behind him the dull prayers of
the people and the keening of the women continue.
Alfieri Most of the time now we settle for half and I like it
better. But the truth is holy, and even as I know how wrong he
was, and his death useless, I tremble, for I confess that something
perversely pure calls to me from his memory – not purely good,
but himself purely, for he allowed himself to be wholly
known and for that I think I will love him more than all my
sensible clients. And yet, it is better to settle for half, it must be!
And so I mourn him – I admit it – with a certain . . . alarm.
Curtain.
It feels the final monologue, the final line, could be epitaph for Donald Trump.
We note the "himself purely" and we note the mourning him (hymn?) with "a certain . . . alarm."
It occurs to me that many will shake their heads, as if attempting to rouse themselves from a spell or trance, and wonder how they were so captivated by the man.
Flaws flagrant, character fragmented, steely adhaerence to misalliance, inability to feel, commiserate or bond with another outside of transaction or diminishing putdown.
Like Eddie in the play he remains unaware of himself and oblivious to insight.
I'd say it is sad, but it is more infuriating that such a man could be used and encouraged by so many people surrounding him (for their own benefit) and by so many voting Americans (for their own cynicism.)
However much longer he might continue to remain on his feet and walk, he is already dead, having been killed by his own obtuse desire to "show them" how he wanted to be respected and brought in to the elite paradigm of being the best, the greatest, the undefeatable, the most charming, most sexy, wealthiest and singularly the most indefatigable big shot that ever lived.
We will grow alarmed that we mourn his passing.