Don DeLillo's novel "Underworld" (c.2007) has walked with me for many days. I listen as I daily walk. Returning home I sit on deck outside porch and listen again to final chapter os Border Collie digs hole then races to where bird feeder hangs at edge of fallen tree limb wall across way.
I am taken by his writing.
I find article on Jstor that speaks about three of his novels. It includes this:
By the times and correspondences.
By all the characters, street expressions, and ways we've not yet thought about to see, and know, the intricacies of connection, the illness surrounding us, the way through isolation into (his final word) -- peace.
I am taken by his writing.
I find article on Jstor that speaks about three of his novels. It includes this:
Sister Edgar's fear of contagion extends to broadcast television: "You touch a button and all the things concealed from you for cen- turies come flying into the remotest room. It's an epidemic of seeing. . . . And if you can see it, you can catch it. There's a pathogenic element in a passing glance." If television is an epidemic of seeing, the world wide web is an epidemic of knowing. But Sister Edgar is not yet on line. Quarantined by rote prayer and latex, her cloistered self is safe. Her faith, however, is calcified. She fears life.
And then a young girl, Esmeralda, is raped and murdered, thrown from a roof in the derelict neighborhood where Sister Edgar makes her rounds. Shortly thereafter, Esmeralda's face begins appearing on a local billboard. Wearing her latex gloves, Sister Edgar joins the mot- ley crowd gathered to watch for the apparition. A fleeting glimpse of the girl's face transforms the old nun. Sudden rapture makes her feel "inseparable from . . . the awestruck who stand in tidal traffic - she is nameless for a moment, lost to the details of personal history, a dis- embodied fact in liquid form, pouring into the crowd." Like Karen Janney, she allows herself to dissolve into a multitude. The experience is ecstatic: "An angelus of clearest joy."
Soon afterward, Sister Edgar dies, "passing peacefully in her sleep." She passes into the web, the no-place that is all connection, the linked, hyperlinked, infected (virus ridden) digital network. In this digital incarnation she is "open," "exposed," as she was during her blissful billboard vigil. The new media here figure as a pathway to salvation offering a redemptive transcendence of self.
(--from, Don DeLillo: Americana, Mao II, and Underworld, Author(s): ADAM BEGLEY, Source: Southwest Review, Vol. 82, No. 4 (1997), pp. 478-505)I'm dizzied by his yarn.
By the times and correspondences.
By all the characters, street expressions, and ways we've not yet thought about to see, and know, the intricacies of connection, the illness surrounding us, the way through isolation into (his final word) -- peace.