Irish
I am
memory
of which
fades some
but, still
Irish
I am
There are days
Numbers numb
Mind
I try to help
But read wrong
Column
Where
At end
Nothing adds up
A Times review:
ONE WAY BACK: A Memoir | By Christine Blasey Ford
A swirling gulf between truth and news.
capitulate
to life
join the stream
recapitulate
with love
you are what flows
no opposite
no enemy
beyond self
resound
return
to Source
If you want
to know my name
pronounce your name
If you’ve forgotten
your name
my name means nothing
Everything speaks.
Everything tells you about itself.
If you listen. If you hear.
Abandoned Farmhouse
BY TED KOOSER
He was a big man, says the size of his shoes
on a pile of broken dishes by the house;
a tall man too, says the length of the bed
in an upstairs room; and a good, God-fearing man,
says the Bible with a broken back
on the floor below the window, dusty with sun;
but not a man for farming, say the fields
cluttered with boulders and the leaky barn.
A woman lived with him, says the bedroom wall
papered with lilacs and the kitchen shelves
covered with oilcloth, and they had a child,
says the sandbox made from a tractor tire.
Money was scarce, say the jars of plum preserves
and canned tomatoes sealed in the cellar hole.
And the winters cold, say the rags in the window frames.
It was lonely here, says the narrow country road.
Something went wrong, says the empty house
in the weed-choked yard. Stones in the fields
say he was not a farmer; the still-sealed jars
in the cellar say she left in a nervous haste.
And the child? Its toys are strewn in the yard
like branches after a storm—a rubber cow,
a rusty tractor with a broken plow,
a doll in overalls. Something went wrong, they say.
—Ted Kooser, "Abandoned Farmhouse" from Sure Signs: New and Selected Poems. Copyright © 1980 by Ted Kooser.
Can you hear it?
Each thing speaks.
Coming off mountain, stopping in yurt to assure it has not been abandoned.
“I am human and let nothing human be alien to me.” — Terence
Cf. "Homo sum, humani nihil a me alienum puto", or "I am human, and I think nothing human is alien to me."[2] This appeared in his play Heauton Timorumenos.[3]
Publius Terentius Afer (/təˈrɛnʃiəs, -ʃəs/; c. 195/185 – c. 159? BC), better known in English as Terence (/ˈtɛrəns/), was an African Roman playwright during the Roman Republic.
--wikipedia
Every step on brown winter-pressed flattened leaves along trodden path is prayer for what has passed, is passing, will pass.
I am mindful we are sometimes asked to pray for someone — and we do.
It is human to so remember.
Some call it post-modernism.
Cut in thirds, split in half,
How can truth be expressed?
Can one see beyond white clouds
With the naked eye?
The monks still have not come
Back from Mt. Kukkuapada.
The leaves of the sutra
Merely stir a sad wind.
Daito (1282-1334) dz
Daito's "sad wind" captures the scent along roadways from either landfill town dump or the new and pungent cannabis facilities that have me looking for the dead skunk on side of road.
Wikipedia fleshes it out:
Postmodernism is an intellectual stance or mode of discourse[1][2] characterized by skepticism towards elements of the Enlightenment worldview. It questions the "grand narratives" of modernity, rejects the certainty of knowledge and stable meaning, and acknowledges the influence of ideology in maintaining political power.[3][4] The idea of objective claims is dismissed as naïve realism,[5] emphasizing the conditional nature of knowledge.[4] Postmodernism embraces self-referentiality, epistemological relativism, moral relativism, pluralism, irony, irreverence, and eclecticism.[4] It opposes the "universal validity" of binary oppositions, stable identity, hierarchy, and categorization.[6][7]
Emerging in the mid-twentieth century as a reaction against modernism,[8][9][10] postmodernism has permeated various disciplines[11] and is linked to critical theory, deconstruction, and post-structuralism.[4]
Critics argue that postmodernism promotes obscurantism, abandons Enlightenment rationalism and scientific rigor, and contributes little to analytical or empirical knowledge.[12]
https://en.wikipedia.org/wiki/Postmodernism
Justin E.H. Smith in his book Irrationality: A History of the Dark Side of Reason, 2019, writes about the difference between the liar and the bullshitter. The liar knows the truth and seeks to conceal it. The bullshitter doesn't care a whit about truth or lies, only wanting to advance his/her own interests. (Not his exact words.)
In his book, On Bullshit, Harry G. Frankfurt, 2005, helps us understand the difference:
...Frankfurt proceeds by exploring how bullshit and the related concept of humbug are distinct from lying. He argues that bullshitters misrepresent themselves to their audience not as liars do, that is, by deliberately making false claims about what is true. In fact, bullshit need not be untrue at all.
Rather, bullshitters seek to convey a certain impression of themselves without being concerned about whether anything at all is true. They quietly change the rules governing their end of the conversation so that claims about truth and falsity are irrelevant. Frankfurt concludes that although bullshit can take many innocent forms, excessive indulgence in it can eventually undermine the practitioner’s capacity to tell the truth in a way that lying does not. Liars at least acknowledge that it matters what is true. By virtue of this, Frankfurt writes, bullshit is a greater enemy of the truth than lies are. (Princeton University Press)
Chris, at Tuesday Evening Conversation, brought up "wisdom." There was talk of The Book of Job, there was a slide into talking about "truth" (which Tina corrected), and a variety of insightful comments by Doris, Asha, and Saskia that deepened our uncertainty.
I recalled the last line of the Serenity Prayer which (for the evening) gave me an anchor to root my bobbing in the rough-wind tide: "...and wisdom to know the difference." Hence, head above water, wisdom for me (at the time) was the rising and falling ability to know the difference between this and that, the false and the true, bullshit and no-shit.
In this post-modern age there are a lot of folks peddling bullshit, so much so that they make lying seem like a quaint virtue.
In my cell/room, a wall:
don't ask me
about
truth or wisdom
I don't
know the
difference
No one lives there
Not for last three years
But porch light is on
And side stairs light
They took away mail box
roadside and work shed
shall engines repaired
tinkered spark plugs
Owner doesn’t sell
doesn’t rent it out but
paints and repairs has it
mowed and plowed
I walk past on walks
Say hi to emptiness
Lights on for what
lights are on for
through night
throughout
I know why there’s so much wrong in the world. The failure to want to become human. Instead so much lust to be rich or powerful, somebody at the expense of somebody else.
Now I’d like to collect my reward for figuring that out.
I’ll take it in nickels and dimes.
Compassion and caring are not that expensive.
I have a change purse.
Miracles are not what we think.
A miracle is that we think.
What do you think?
(Take your time.
World awaits.)
Tous les débuts sont difficiles.
It’s easier to live on the off-side of the clock. No phone calls, emails, texts. No bumping into anyone in the kitchen.
Stepping to barn door, thin layer of snow on ground. Sound of rain on roof. No cats. No dog.
Growing up I was a night person.
Staying at a monastery, night office was most intimate.
Now, a different version.
It could be called unsleeping prayer — but that’s a stretch,
Maybe call it breath-in-the-dark.
People used to think God wandered through the night.
I think that night, the solitude of night, is that wherein God has disappeared.
A worthy place within which to dissolve and devolve.*