Yes?
I think so.
Good.
Yes!
I, too, think so.
Co-monastic sends Saturday morning meditation:
The Sacred Pulse of Night and Day
“Dark and light work in a reciprocal relationship to affirm true nature… the divine darkness may be our greatest ally rather than a danger to be feared.”– Deborah Eden Tull
Words she finds in Dewdrop, 17nov22.
“In the dark, the activity of the conscious mind was composted and what remained was a vast empty expanse for integration, regeneration, serenity, and other forms of knowing.”
The monastery in the Sierras was fully removed from society and city lights, so once again the night sky confirmed my tiny place in the vast universe. I was completely alone in the night, accompanied by only the spirit of darkness and my own thoughts. In the nocturnal darkness, there was nothing to do but be in open space. At first, I had to face my tendency to fill this empty space with thought, as in sitting meditation, I gradually began to let that go, however, and surrender to empty space. In the dark, the activity of the conscious mind was composted and what remained was a vast empty expanse for integration, regeneration, serenity, and other forms of knowing. I became keenly aware of my dream activity and the gestation and deeper communication that seemed to occur in the solitude of the night.(xcerpt from D. Tull's book! Luminous Darkness: An Engaged Buddhist Approach to Embracing the Unknown.)
An added couplet completes:
Reading proposal from MSP resident for course on Existentialism and Aletheia (disclosure/truth)
He left the book selection for Hegel unfinished.
Like Kant, Hegel thinks that one’s capacity to be conscious of some external object as something distinct from oneself requires the reflexivity of self-consciousness, that is, it requires one’s awareness of oneself as a subject for whom something distinct, the object, is presented as known (a result emerging in Chapter 3). Hegel goes beyond Kant, however, and expanding on an idea found in Fichte, makes this requirement dependent on one’s recognition (or acknowledgment—Anerkennung) of other self-conscious subjects as self-conscious subjects for whom any object of consciousness will be thought as also existing. One’s self-consciousness, in fact, will be dependent on one’s recognition of those others as similarly recognizing oneself as a self-conscious subject. Such complex patterns of mutual recognition constituting objective spirit thereby provide the social matrix within which individual self-consciousnesses can exist as such. It is in this way that the Phenomenology can change course, the earlier tracking of shapes of individual consciousness and self-consciousness effectively coming to be replaced by the tracking of distinct patterns of mutual recognition between subjects—shapes of spirit—that forms the ground for the existence of those individual consciousnesses/self-consciousnesses.
Perhaps Phenomenology of Spirit (1806).
Consciousness and Spirit -- worthy of investigation.
Michael Gerson, (May 15, 1964 – November 17, 2022) (Rest in Peace)
Speechwriter and Washington Post Opinion writer. He gave a talk in 2019.
Here’s his talk at the National Cathedral: February 17, 2019: Sunday Sermon by Michael Gerson, National Cathedral
Become your self? But
There is no separate self
Become no other
No need to cultivate what
Cannot stand in for Itself
* wisdom is the ground of existence and Being Itself
All sapience here
Obvious to everyone
An open clear source
Any mind could see and grasp
Direct, unveiled, revealing
η σοφία είναι το έδαφος και είσαι όλο αυτό**
**wisdom is the ground and you are all of it
(*+**/wfh)
I'd like to say thank you to the decent and kind living in our midst.
You make life a little bit more accommodating and peaceful.
Something to look forward to.
I suspect we’ll be entering the time of irrelevant theatrics and posturing political harlequins with the new house majority.
Too bad.
It would be a great time to ensure service and protection to a decent, yet uneasy, populace.
Some would say that to know what is good you have to know what is not good.
I’m glad to listen to the political crazies as they announce this and that, warp truth, and rail at reality.
They will invite, unintentionally, the good to be known.
Apple-blueberry
Pie box folded into bag
To be recycled
Like criminal former guy
Scamming another payday
There is a faith deeper than any religion's.
It dwells in the experience of poetry.
Which, in itself, is neither aesthetic nor literary.
Rather, ontologically sensible, neurologically ecstatic, deathly revealing.
As we face our own era of rising authoritarianism and new sets of complexities and injustices to resist, the question remains: Does poetry have the power to effect change? We can write “drop poetry not bombs” on fliers, but the hard truth is that one poem alone cannot protect dreamers from being deported or restrain an unfit president. And yet, Neruda illuminates how poetry’s poignant nature—its unique power of distillation—can create change through a cumulative, collective effort: one by one, like gathering drops, each time a poem comes into contact with a person’s consciousness—whether read by a 1930’s Spanish Republican soldier or heard on the radio or penned afresh—it incites the possibility for a shift in perspective or an urge toward action. Poetry can energize, inform, and inspire. This alone won’t stop bombs, but when taken together with all the direct actions of a social movement—marches, relentless grassroots organizing, seven thousand shoes placed on the U.S. Capitol lawn—Neruda has shown us how poetry can be an emotionally potent ingredient in the greater transformative efforts of resistance.
The effectiveness of Neruda’s poetry is proven by its endurance, how often people reach for and evoke his works as a tool to galvanize, to awaken, to sustain. In San Francisco, during the lead up to the 2003 invasion of Iraq, Neruda’s words were draped on banners over the streets: “Tyranny cuts off the head that sings, but the voice at the bottom of the well returns to the secret springs of the earth and out of the darkness rises up through the mouth of the people.” Nearly a decade later, the Egyptian art historian Bahia Shehab spray-painted Neruda’s words on the streets of Cairo during the Arab Spring: “You can cut all the flowers, but you can’t stop spring.” Five years later, during the January 2017 Women’s March, those same words of Neruda that had appeared in Cairo would grace posters bearing the original Spanish:“Podrán cortar todas las flores, pero no podrá detener la primavera.”
Instances of social injustice, war, and the los of liberal democracy call us off the sidelines and into action. Neruda drastically adapted his poetry in response to crisis. At the start of the Spanish Civil War, he abandoned his desolate, introverted experimental poetry in favor of a decisive style, one that would compel others into action.
Whether we’re poets, teachers, readers, activists, or ordinary citizens who care about the world, we, too, can transform the way we express ourselves. In the era of social media, we don’t need to make pulp out of flags to transmit our message to the troops of resistance. We can all speak. We can all be part of the dialogue. And poetry can be part of the collective way we, in Neruda’s words, “explain some things.” From Neruda and others we can see how the act of expressing ourselves, and the act of hearing, are core components of resistance—and of poetry’s unique, enduring power.
(--from, What We Can Learn from Neruda’s Poetry of Resistance, by Mark Eisner , The Paris Review, March 26, 2018)
Many people I know dislike poetry
Or they patronize it
Like collectors of tusk or horn from large slaughtered beasts
They have not found poetry in the darkness of their unknowing sleep
Or in unforgiven protestations of an innocence that does not belong to them
No...
Poetry
has not yet
slit their throat
slaying separative
distance from one's own true word
It is too dark too soon
this middle november
too cold of a sudden
late afternoon drear
i want to climb into bed
fall asleep under comforter
Instead, vespers from France
by way of tune-in on old mac
this hermitage of splayed
imagination where medieval
consciousness senses hut
with cookfire tomato soup
monk meditating on mysteries
too subtle for his intelligence
an inner voice too indecipherable
an understanding far too obvious
one by one they drop away
interests in anything outside
leaving me inside everything
where nothing is its own
completely so
and anything not nothing
cannot sustain externality
falling back into nothing there