Meditation is realization in this moment of who-I-am.
Jeremiah laments, letter by letter, pleading: "Return again to the Lord your God."
Jeremiah laments, letter by letter, pleading: "Return again to the Lord your God."
"Whatsoever therefore is consequent to a time of Warre, where every man is Enemy to every man; the same is consequent to the time, wherein men live without other security, than what their own strength, and their own invention shall furnish them withall. In such condition, there is no place for Industry; because the fruit thereof is uncertain; and consequently no Culture of the Earth; no Navigation, nor use of the commodities that may be imported by Sea; no commodious Building; no Instruments of moving, and removing such things as require much force; no Knowledge of the face of the Earth; no account of Time; no Arts; no Letters; no Society; and which is worst of all, continuall feare, and danger of violent death; And the life of man, solitary, poore, nasty, brutish, and short." (Hobbes, from Leviathan)
Mr. Appiah, a professor of philosophy, found an “intense moral energy” in Mr. Achebe’s work, adding that it “captures the sense of threat and loss that must have faced many Africans as empire invaded and disrupted their lives.” (--from NYT Obituary)
A Mother In A Refugee Camp
No Madonna and Child could touch
Her tenderness for a son
She soon would have to forget. . . .
The air was heavy with odors of diarrhea,
Of unwashed children with washed-out ribs
And dried-up bottoms waddling in labored steps
Behind blown-empty bellies. Other mothers there
Had long ceased to care, but not this one:
She held a ghost-smile between her teeth,
And in her eyes the memory
Of a mother’s pride. . . . She had bathed him
And rubbed him down with bare palms.
She took from their bundle of possessions
A broken comb and combed
The rust-colored hair left on his skull
And then—humming in her eyes—began carefully to part it.
In their former life this was perhaps
A little daily act of no consequence
Before his breakfast and school; now she did it
Like putting flowers on a tiny grave.
(—Poem by Chinua Achebe)
praeeste huc et nunc; deeste nemo et nil
(present here and now; absent no one and nothing) (wfh)
Darryl Whetter: In your essay “How To Be Here,” you use the idea of haecceity. Does haecceitas announce a specific form or image? In the "creation" of a metaphor, are you recovering or achieving or finding something of that haecceitas?
Tim Lilburn: John Duns Scotus, from whom this phrase and notion comes, says that the thisness of a thing is unknowable (given the mind as it is now), but there. It’s the highest expression of the thing, but it can’t be known with precision or named.
(-- Excerpts from “Listening with Courtesy: A Conversation with Tim Lilburn.” Interview by Darryl Whetter. [Studies in Canadian Literature, Fall 1997] http://finearts.uvic.ca/timlilburn/interviews.htmlThe "thisness" of the monastic monistic is only reached by attentive contemplation, a gazing that is open and welcoming.
Darryl Whetter: In “Contemplation is Mourning,” there is a suggestion that “You will be shaved and narrowed by the barren strangeness of the / deer, the wastes of her oddness.” Is it important for us to be so shaved?
Tim Lilburn: No. That’s coming at it the wrong way; you just are shaved if you look long and deeply without presumption. That’s a large part of what looking is, the refusal of presumption or caricature. Otherwise what you’re seeing is simply yourself; you’re looking in the mirror everywhere. Being shaved is just the realization that all of your notions of power and centrality are stolen or made-up, it’s stolen fire. Hard looking can relieve you of this.When the quiet allows me into its presence, I drop everything thereupon and there-within. I remain where I am -- in transition from this place to no place -- two sips of coffee with no between.
(Ibid)
veta nil, patere omne; ignosce judicium mentem
(forbid nothing, allow everything; forgive discriminating mind) (wfh)These bastardized fragments of Latin sayings -- an idle of a Sunday in March. Maybe mendicant prelude to poetry, not poetry itself. For poetry, as Milosz said, is different:
What I am saying here is not, I agree, poetry,
as poems should be written rarely and reluctantly,
under unbearable duress and only with the hope
that good spirits, not evil ones, choose us for their instrument.
(--from poem, Ars Poetica? -- by Cheslaw Milosz) http://www.poemhunter.com/poem/ars-poetica/Tim Lilburn goes on:
Interviewer: Why poetry?
Tim Lilburn: I am interested in poetry because I believe that only in it can a person think and feel as deeply and as flexibly and as surprisingly as is humanly possible. This extreme, unexpected thinking and feeling is not only great fun, but is important now, in ways a little hard to fully explain, for us as a species. The strange metaphorical and contemplative thinking that goes on in poetry might just serve as a basis of a new politics that knits the human world with the natural world. It would likely take a whole book to work out this new politics. (--An Excerpt from the Great Victoria Public Library Website. Ibid)