With a student at the Charleston Correctional Facility, during class on Jung and Philosophy, after Alain de Botton’s video on Nietzsche, “How to Find Yourself (Existentialism)”, we glance at Nietzsche on Schopenhauer as Educator:
Schopenhauer has a second quality in common with Montaigne, as well as honesty: a cheerfulness that really cheers. Aliis laetus, sibi sapiens [cheerful for others, wise for himself]. For there are two very different kinds of cheerfulness. The true thinker always cheers and refreshes, whether he is being serious or humorous, expressing his human insight or his divine forbearance; without peevish gesturing, trembling hands, tear-filled eyes, but with certainty and simplicity, courage and strength, perhaps a little harshly and valiantly but in any case as a victor: and this it is—to behold the victorious god with all the monsters he has created—that cheers one most profoundly. The cheerfulness one sometimes encounters in mediocre writers and bluff and abrupt thinkers, on the other hand, makes us feel miserable when we read it: the effect produced upon me, for example, by David Strauss' cheerfulness. One feels downright ashamed to have such cheerful contemporaries, because they compromise our time and the people in it before posterity. This kind of cheerful thinker simply does not see the sufferings and the monsters he purports to see and combat; and his cheerfulness is vexing because he is deceiving us: he wants to make us believe that a victory has been fought and won. For at bottom there is cheerfulness only when there is a victory; and this applies to the works of true thinkers just as much as it does to any work of art. Let its content be as dreadful and as serious as the problem of life itself: the work will produce a depressing and painful effect only if the semi-thinker and semi-artist has exhaled over it the vapor of his inadequacy; while nothing better or happier can befall a man than to be in the proximity of one of those victors who, precisely because they have thought most deeply, must love what is most living and, as sages, incline in the end to the beautiful. They speak truly, they do not stammer, and do not chatter about what they have heard; they are active and live truly and not the uncanny masquerade men are accustomed to live: which is why in their proximity we for once feel human and natural and might exclaim with Goethe: "How glorious and precious a living thing is! how well adapted to the conditions it lives in, how true, how full of being!" [Goethe: Italienische Reise, Oct. 9, 1786.]
I am describing nothing but the first, as it were physiological, impression Schopenhauer produced upon me, that magical outpouring of the inner strength of one natural creature on to another that follows the first and most fleeting encounter; and when I subsequently analyze that impression I discover it to be compounded of three elements, the elements of his honesty, his cheerfulness and his steadfastness. He is honest because he speaks and writes to himself and for himself, cheerful because he has conquered the hardest task by thinking, and steadfast because he has to be. His strength rises straight and calmly upwards like a flame when there is no wind, imperturbably, without restless wavering. He finds his way every time before we have so much noticed that he has been seeking it; as though compelled by a law of gravity he runs on ahead,
Untimely Meditations, Third Part 1874 Schopenhauer as Educator* (Selected Text) by Friedrich Nietzsche, https://la.utexas.edu/users/hcleaver/330T/350kPEENietzscheSchopenTable.pdf
The Thing Is
to love life, to love it even
when you have no stomach for it
and everything you’ve held dear
crumbles like burnt paper in your hands,
your throat filled with the silt of it.
When grief sits with you, its tropical heat
thickening the air, heavy as water
more fit for gills than lungs;
when grief weights you down like your own flesh
only more of it, an obesity of grief,
you think, How can a body withstand this?
Then you hold life like a face
between your palms, a plain face,
no charming smile, no violet eyes,
and you say, yes, I will take you
I will love you, again.
- Poem by Ellen Bass
Then, talking about Nietzsche's Amor fati, we finish with poem by Mary Oliver:
When Death Comes
by Mary OliverWhen death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purseto buy me, and snaps the purse shut;
when death comes
like the measle-poxwhen death comes
like an iceberg between the shoulder blades,I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,and I think of each life as a flower, as common
as a field daisy, and as singular,and each name a comfortable music in the mouth,
tending, as all music does, toward silence,and each body a lion of courage, and something
precious to the earth.When it's over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.When it's over, I don't want to wonder
if I have made of my life something particular, and real.I don't want to find myself sighing and frightened,
or full of argument.I don't want to end up simply having visited this world.
( Poem by Mary Oliver)
We think about Buddha's first Noble Truth, that there is suffering.
We also think about Jesus' taking on suffering, not eliminating it.
And we're grateful to think about all this together.
Cheerfulness and wisdom. for ourselves, for others, this week of gratefulness!




